I am often asked what does that ship, or car, or high heel shoe mean. I am not an illustrator; I release the images that appear before me. Like Picasso, I say that it is not for me to explain the contents of my work; this is for the viewer to do. Each of my works is a frozen dream. Images and legends enter from my subconscious, the world of my imagination. I am a conduit of visual messages greater than me, at best a messenger from God, at worst a Fallen Angel. – Beezy Bailey
Born of the frustration of “increasingly prevalent affirmative action” in the art world, Bailey submitted two artworks for a triennial exhibition in 1991. One was with the traditional Beezy Bailey signature (rejected), and the other signed Joyce Ntobe, a female alter-ego Bailey had created for himself. The latter now enjoys an honoured place in the South African National Gallery as part of its permanent collection. When the curator of the Gallery wanted to work on a paper about three black women artists, Joyce Ntobe being one, Bailey let the cat out the bag, which caused a huge media scandal.